Art and Life in a Bleak World

The Arts – not just painted art, but the whole range – music, dance, drama, poetry as well as painting, sculpture, installation, are visible fruits of creativity. Engagement in
collective community groups to stimulate their production or to discuss them
brings about collective involvement, and of course the shared experience
of being an audience to good production is itself uplifting as we are social animals.

If it is the case that the purpose of life should be the pursuit of pleasure and happiness in a world where peace and democracy are supreme, then it is important for this to begin
in a community setting: ‘The creative community’.

And, as we live in the Global Age - that community will be multi-dimensional, to include virtual friends in faraway timezones as well as like-minded people in the village.

I detest the media, and actively avoid what they call ‘The News’ - those stories have been carefully selected by someone whose main aim is to attract a bigger audience and capture more viewers, and understandably, bad news is most effective for that. We can choose what we put our minds to, and while it may be extreme to ignore The News, at least we should all strive to maintain a balance - look at stuff that will be uplifting, get out into the sunshine, enjoy the natural world, talk to happy people…..


                                                    And then - what to buy?
My advice (and others will have other opinions)  - use your own judgement.
Would you listen to music that you didn’t really like just because it is trending? - Maybe once, but then you would seek out something that gave you pleasure.
Same with art, except much more so, because whatever art you buy this year will probably still be with you in ten years time! People change their cars  and sofas much more often than their art - which takes me off along another path - changing fashions ….. None of us want our home to look the same as our granny’s, right? We upgrade the decor, change the carpet, make little alterations to maintain a sense that this is a cared-for place where modern people live …… and yet - those pictures - the same ones that have been there forever!
BUT - if you look carefully at one of the paintings on this site, or on any other arty-site, can you really tell when it was painted?

Is art the only timeless object in your interior decor? You can listen to music and give a pretty good guess about when it was first created, but, maybe with the exception of highly stylised work (Picasso, Matisse, Riley, Warhol and so on) you need to be a bit of an expert to look at a painting and place it within the right decade of it’s origin.

The megabucks are more often spent on works that have been around for a long long time, and any ‘old’ art still has a place among viewers. Indeed one of the attractions of buying an original oil painting is the prospect that one day it could be worth more than you pay for it.

Which means that my friends in the framing business are key - how you present your new artwork on your walls depends on its frame as much or maybe even more than the content of the picture itself! 
Some people argue that the artist’s choice of frame is part of the creation and should be respected - that if you buy a painting, you should keep it in the original frame. And - having bought a painting, who want to then have to spend even more time searching the infinite variety of frames to find one that is most favourable to present that picture in the setting of your choice?

Others cheerfully take on that quest, wanting to curate the look of their home (or office) down to that detail.

My view?
Each to their own.  Both approaches are valid. Making your own statement with your independent choice of frame could easily be best for you if that is how you want to do it, but equally, buying a painting in a frame and keeping the whole creation together often works well.
Some people buy a painting purely and simply because the picture appeals to them, they take it home and find somewhere nice to hang it.
Others are carefully working their interior design and seek a painting of a specific shape, size and theme that will complement its place.
Does your pleasure come from ‘curating’ your look, or from the pleasure of the impulse?

The next, and probably longer lasting pleasure from a painting, comes from chatting about it - when we were children there was a nice landscape painting at home. It now hangs  on my sister’s wall, and only  recently, we were discussing it again at length. How many years later? 

Using Format